Wednesday, October 11, 2017

Epcot 35: October 1, 2017 - My Day in the Park Celebrating Epcot's 35th Anniversary

I was excited to spend October 1st in Epcot this year. Over the course of 35 visits to Walt Disney World and more than 150 nights on and around Disney property, I had never before found myself in a Disney park on the anniversary of the Magic Kingdom (opened October 1, 1971) and EPCOT Center (opened October 1, 1982). Having watched the celebration of Epcot's 30th anniversary from afar five years earlier I was fortunate to attend the park's 35th anniversary celebration in person this year. For those who couldn't join me or those who wish to remember the day in the parks, I will recount my experiences being part of Epcot's 35th anniversary below.


My day began early, with a 7:00 AM alarm, and I managed to drag myself out of bed after only one tap of the snooze button. A long night celebrating Epcot's anniversary with friends the night before kept me awake until well after 2:00 AM, so I didn't plan to start today early enough to be near the front of the crowds for rope drop, but I figured to still be in the park before it officially opened. I had already seen pictures from some Disney bloggers outside the park, positioning themselves to be at the front of the merchandise lines, before I even got into the shower, so leaving my hotel room at 8:12 meant that I knew I'd have quite a bit of company when I did arrive.

Over the course of this trip, I would spend time with more than a dozen friends, but only one of them chose to join me for rope drop this morning. Since her hotel was on the way to Epcot, I stopped to pick up Sue, only adding a couple minutes to my morning drive, and we left her hotel by 8:21. Fortunately, being a Sunday meant there wasn't much regular rush hour traffic, so it was smooth sailing to Epcot, at least until 8:30 when we found quite a few other cars waiting to enter the parking lot. Still, despite the backup at the toll booth, we were parked in a pretty good spot in the Amaze lot at 8:38 AM We made it through bag check and to the Passholder line tapstiles at 8:47, but noticed they weren't letting any more people into the park. That seemed like a bad sign, but after a few minutes, guests must have filled in more available space and the line started moving again. We entered the park at 8:51 AM.



We picked up our commemorative buttons, park maps, and times guides, and then joined in with the crowds. The center pathways into the park were pretty well packed, but I noticed we could get relatively close to the "rope," which hadn't dropped yet, if we took the far right path, near where you would find character meets on most mornings. We were still behind a lot of other guests, but after a few minutes when we started walking, we were ahead of more people than we were behind.

8:53 AM - Guests were still held at Spaceship Earth. We passed all of those folks standing in the middle.

8:55 AM - the rope had dropped, and we were moving

8:58 AM - It was decision time. We had been absorbed into the Mouse Gear Pop-up Shop Line, but could work our way to the left if we wanted to head to attractions.

I hadn't really planned on joining in the merchandise madness on this day. I didn't see any of the "I Was There" items, which were only available this day, that I really needed to have and since I've never sold anything on eBay I didn't figure I was going to pay for my trip selling things that I bought. However, since we ended up much farther to the front of the pack than I expected after arriving so late, I figured I'd see how the line progressed. We were already inside the abandoned Innoventions West building that was housing the one-day only store by 9:01, so we might as well get the full Epcot anniversary experience. Sue didn't share my curiosity for how this process worked, so she left to explore the rest of the mostly empty park, walking on to Soarin with only a minimal wait and eventually finding a good spot to watch the special 35 Anniversary ceremony. I was enjoying conversation with a woman from England (I think she may have been from Bath), who was just starting a three week vacation in the U.S. Through the human traffic jam we found ourselves in, I learned the morning commutes sound very similar in the U.K. to what we see in this country, except that you sit in traffic on the opposite side of the road.

9:46 AM - I could see the backside of what was for sale.

Around 9:52 AM I opted to join a line for those just purchasing pins. I figured this would be faster than the line for all merchandise, but I was still standing at this point at 10:05 AM when I saw the woman from England I was talking with in line leaving the store with her merchandise.

10:05 AM - At least I could see the pins. A Cast Member was trying to keep things moving, checking Annual Passes for discounts and handing everyone the pins they requested (you could buy 1 or 2), though things still didn't seem to be moving that quickly, then came to a complete stop when the one clerk handling the pin only purchasing ran out of cash register tape. We were quickly diverted to another register, but the whole shopping experience took longer than it should have.

10:13 AM - I survived the merchandise line and saw the 35th Anniversary Ceremony, which started at 10:01 AM, was still going on.

10:14 AM - I wasn't going to have a very good view from here

10:15 AM - I followed the signs and CM instructions for where they wanted people to walk, but wasn't going to be able to see anything from here, either. Since Sue said she was near the entrance to Mouse Gear (on the opposite side of the masses) I decided to double back and walk on the other side of the Fountain of Nations and see if I could get anywhere near the stage.

10:19 AM - There was quite a line to get into the Pin Station + I wasn't sure why, since I didn't think they were selling any pins only available this day.

10:20 AM - More of the pin line. I don't know where it ended.

10:22 AM - Passing through Mouse Gear, where I had been the night before and noticed the merchandise there was already pretty picked over (notice only one mug left with the EPCOT Center pavilion logos - that rack was full the night before)

10:24 AM - I felt pretty clever when I walked through the trees and found myself relatively close to the show, arriving just in time to hear the Voices of Liberty perform a medley of songs from Epcot's past.

10:27 AM - Disney characters join the Voices of Liberty singers

The Big Cheese arrives just in time to close the show

10:36 AM - Since this was both of our first visits since the new version of Mission Space opened, Sue and I decided to see what Mission Space Green was like. There's no Gary Sinise, but his replacement seemed to have everything under control and I found the new flight over Earth to be more pleasant than the previous Mars mission (though, still far from spectacular).

11:03 AM - Back to the front of the park to meet our friend, Shay, who was renting a wheelchair to get around the park. You can see the line for merchandise wrapped around all the way past where were entered the park in the morning.

Another look at the line for the Pop-up Shop. I didn't follow it all the way to the end.







After the Anniversary ceremony finished, there weren't any more official Disney events scheduled until Illuminations at the end of the night, so it was time to explore the Food & Wine Festival. This was likely to be my only visit to the Festival this Fall and I missed the chance to visit food booths the night before, because I didn't think I would enjoy doing so in a steady rain. I wouldn't be able to even make a dent in the list of items I wanted to try, but at least I'd have the chance to sample some booths that weren't around during any of my other Food & Wine visits.

11:15 AM - Marinated chicken with peanut sauce and stir-fried vegetables from Thailand

Singha Lager, from Thailand, which was a typically ordinary Asian lager, fine for a warm day and helping me check in a beer from a new country on Untappd

11:41 AM - Korma chicken, with cucumber tomato salad, almonds, cashews, and warm naan bread from India

Kingfisher Lager, from India (see caption for Singha lager above)

While eating, we were joined by more friends, Karen and Kim, who had chosen to take a more relaxing start to the day. We all talked ourselves into buying commemorative glowing plastic drink vessels, which were only available today (while supplies lasted).

12:22 PM - We all had Frozen Ever After FPP for 11:20 - 12:20, so we meandered over the Norway, arriving just as the 15 minute grace period for our FPP window began.

We stopped for PhotoPass photos outside the Germany pavilion, where I was surprised by a visit from one of Epcot's Food & Wine Festival chefs.

1:20 PM - Someone ordered the Sweet Olive Oil Cake with powdered sugar and lemon curd from the Spain booth

1:25 PM - I ordered a Moretti La Rossa beer from the Italy booth

1:47 PM - When I find a beer with flavors I've never tried together before I want to taste it, so I ordered an Orange Blossom Brewing Foxtail Cold Brew Coffee Pilsner from the Hops & Barley booth outside the American Adventure. It tasted like a coffee-flavored pilsner, which was better than the lagers I had had thus far today.

By 2:26 PM, World Showcase was looking like you'd expect on a weekend during the Food & Wine Festival. At this point, I wandered off from the pack to meet other friends, Brooke and Jason, who flew in that morning and had just arrived in the park.

2:49 PM - I caught up with Brooke and Jason, who were hungry after their travels and had already visited some Food & Wine booths. I ordered a Redstone Meadery Black Raspberry Mead from the Earth Eats booth so they didn't have to drink alone.

2:58 PM - at the Craft Beer stand inside the Odyssey, where someone in our group didn't notice that the cotton candy on the menu was just a big bag of cotton candy (and not some clever cotton candy flavored concoction).

3:01 PM - Time for one more drink before our 3:15 tour was set to begin. This was a JDub's Passion Wheat, which made no strong impression on me one way or another.

Brooke, Jason, and I (and later, Kim) joined the cast of the RetroWDW podcast for a walking tour around Epcot, starting at the base of Spaceship Earth. If you're interested in more about that tour, then take a look at the article I wrote about the tour.

5:02 PM - I lost track of my friends at different points during the tour, but was ready for a short break from the park, so I started making my way toward the exit, though I did have time to photograph Figment, with his home in the background.

5:06 PM - There was still a substantial line for the Pop-up Shop

Most of my friends were gathered to ride Spaceship Earth together, but I wanted to get back to my hotel room to retrieve my tripod and second camera to photograph and record video of the evening's performance of Illuminations. That turned out to be a good decision, as I later found out the flurry of group text messages I received indicated the ride stopped for an extended period of time, leaving my friends stranded in ancient Greece for long enough to attempt to translate their words (with questionable accuracy).

I walked out of the park at 5:23 PM, was in my car a few minutes later and back to the hotel room just before 5:45. That left me time empty the Food & Wine Festival receipts from my pockets, shower, and gather my camera equipment before leaving the room at 6:56 PM. I parked in one of the first rows of the Create lot, on the side closer to the trams/walkway to the park entrance at 7:12 PM and was back through the tapstiles again at 7:23 PM. After picking up another "I was There" button, it was time for me to find food and setup to photograph the fireworks.






7:25 PM - Evenings in Epcot are one of my favorite parts of a Disney World vacation.

7:27 PM - There's still quite a line for today's merchandise, though it no longer stretches all the way to the front of the park.

7:35 PM - The Future World food booths were a pleasant surprise during this year's Food & Wine Festival. I went to Flavors from Fire primarily because it was conveniently located on my way to World Showcase, but was pleased with the quality of food and the availability of places to put down my selections to eat (and photograph).

Smoked Corned Beef, with warm crispy potatoes, pickled onions, and blonde ale beer fondue, from Flavors from Fire

Sweet Pancake, with spicy chipotle chicken sausage, onion jam, and maple butter syrup, from Flavors from Fire (this was one of my surprise standout favorites from Food & Wine this year, with a perfect blend of sweet and savory)

Orlando Brewery Smokin' Blackwater Porter, from Flavors from Fire

7:49 PM - I hadn't heard positive reviews of the mixed drinks from Light Lab, but they offered a number of beers I hadn't tried before, so I stopped in for a Left Hand Brewing Polestar Pilsner, which tasted like a typical pilsner

7:51 PM - This seemed like a good time to take a moment to enjoy the Imagination fountains.


Most of my group of friends had made FPP reservations with watch this evening's showing of Illuminations, but I've had mixed results photographing the show from the FPP viewing area. Normally, it's a great spot, as close as you can get to the projections on the globe, perfectly centered, but people tend to line up long before the show begins even on a normal night. I stopped by the viewing area on my way into World Showcase and not only did I find a substantial line of people waiting for the FPP viewing area to open an hour before the show (and a half hour before the viewing area was supposed to open), but also found the prime viewing spot was occupied by an enormous stage for the recording of an upcoming ABC television show. I realized I wasn't going to be able to setup my cameras near the rail (where they could be out of the way of other guests), so decided to move on. While I regret abandoning my friends for the evening's show, this turned out to be a good decision, as I heard folks were packed into the FPP viewing area and the speakers weren't working properly, so guests couldn't hear the music for the show very well.

Having made my decision to seek another viewing spot, I started walking around World Showcase, only to find some of my favorite spots, near Mexico and Germany, already occupied. However, I stumbled upon a spot between the Germany and Italy pavilions that I was surprised to find only partially occupied. I was able to setup on the rail in between two families who were gathering to watch the show, one of which I found out had camped out at a table since late afternoon. The part of World Showcase closest to Future World is always considerably more crowded than the banks of the "back" of World Showcase Lagoon, but I was surprised at how relatively uncrowded this part of the park was on what had been such a busy day. I don't think the crowd was ever more than one person deep behind me throughout the show.

8:38 PM - I was already setup for photos and video, free to relax and get ready to enjoy the show. I only wish someone could've watched my spot so I could've had time to stop at another food booth!

Since I was recording video with my newer DLSR, I brought my circa 2005 digital camera to photograph the fireworks show. The images aren't as good as with my newer camera, but I can still get serviceable images from my Canon EOS 20D.

The regular version of Illuminations always looks good in pictures!

Having no idea what the 35th Anniversary "tag" on the end of the show would look like, I didn't do a particularly good job of capturing that in still photos, but at least got one image that looked ok.

Here's the video I recorded of the show:

I took my time putting away my cameras and tripod after Illuminations, enjoying the songs from Epcot pavilions past that played in the background

Here's is video of the Epcot anniversary background music that played while I was packing up and enjoying the evening in World Showcase (though, I had to remove the music from Magic Journeys or Youtube wouldn't allow me to share the video):


Around 9:45 PM, around half and hour after the fireworks show ended, I decided it was time to start walking out. I started moving toward Future World during the Universe of Energy song, and my timing seemed just about right, as the old Epcot songs abruptly stopped playing when that song ended, around 9:50 PM. No other background music kicked in, either, which gave me a few minutes having the unusual experience of being inside a Disney park with no background music playing.

9:59 PM - Back in Future World, making my way toward the park exit

10:02 PM - Just for the sake of curiosity, I decided to take another look in Mouse Gear. Some styles of t-shirts (including one I bought for myself the night before) appeared to be sold out and some generic Epcot mugs had replaced those with the Future World pavilion logos.

10:03 PM - I stopped to photograph the Epcot35 display outside Mouse Gear

Figment was ready to go home with you in a special Epcot35 bag

Having wandered off on my own a couple times in the late afternoon and evening, I was happy to hear that most of my friends who were in town were gathered at Trader Sam's that evening. They were settled in outside on the Tiki Terrace when I left Epcot for the evening at 10:16 PM, walked to my car at 10:23, and was parked at Polynesian by 10:36 PM. As I arrived, the group was moving to the Grog Grotto, so I got there just in time to join everyone inside.

Finally sat down at relaxed with friends at Trader Sam's. While none of us ordered Zombies, we all looked and sounded a little bit like them, as everyone was pretty tired at this point, but we still enjoyed a few laughs

After leisurely sipping two drinks and dropping some friends off at their resort, I was back to my hotel room by 1:05 AM, where I needed to pack to prepare to move to another hotel the next day. I also sorted through photos from the day's activities and eventually allowed myself to drift off to sleep.


No monkeys were harmed in the writing of this blog posts, though some humans were disappointed to not be present for the day's festivities, including my friends Jennifer and +Harvey.

Tuesday, September 26, 2017

How much will I really miss recently closed attractions


One popular pastime among many Disney aficionados seems to be generating outrage whenever changes are announced. In recent years, some attraction closures have drawn the ire of many of those fans. While it certainly would be more socially acceptable, at least among the average Disney devotee, to join the crowd and pile on the criticism I chose to look at just how often I actually visited some of these supposedly beloved attractions. I realize my personal tastes are different than other guests, but suspect quite a few people would find similar results if they were inclined to keep the sort of (arguably pedantic) records that I do.

The numbers I will cite here reflect 24 different trips to Walt Disney World since 2010, during which time I spent 114 nights on or near Disney property. I've ridden 854 Disney World attractions over the course of those visits. Given that information, let's take a look at how often I actually chose to ride three of the most recently closed attractions that seemed to cause the most vocal angst in the Disney fan community.

Ellen's Energy Adventure (3)

It was tough to make the case that this attraction was not in need and and overhaul, so when considering whether or not you want to devote 45 minutes to an attraction that is well past its prime, the answer tends to be, "no." Clearly, that sort of thinking affected my choices, as I rode the attraction three times in the last seven years. By comparison, over the same time period I rode Soarin (35) and Spaceship Earth (32) ten times more often and even sat through the Circle of Life film as many times (3) as I traveled back in time with Ellen. If that isn't already striking enough, then perhaps this is. I haven't ridden Ellen's Energy Adventure at all since September, 2012, when I was traveling with a friend's family and one of his son's really enjoyed seeing dinosaurs (which meant that we also had to endure a meal at T-Rex Cafe during the same trip).

While I share some fans concern about the spirit of EPCOT Center being lost, I think that ship sailed long ago. Universe of Energy was a technically impressive pavilion that rarely made anyone's list of favorite original EPCOT Center attractions. Ellen's Energy Adventure didn't substantially improve on the original. Given it's length and our shortening attention spans it's no surprise that more folks chose to skip this pavilion. Whether or not you believe Guardians of the Galaxy will teach us about energy and inspire us to learn more about the topic (I think it's possible, but that's a separate topic), there's no doubt that most Epcot visitors weren't learning anything about the topic, because they weren't riding. I was no exception here.


Great Movie Ride (10)

I go through phases when I take an active interest in movie history. I was in high school when Disney-MGM Studios opened and by the end of my high school tenure I took in a year long film production/film history class, so as far as impressionable kids go, I was certainly in the target market for Disney World's third theme park.Years before we all carried around cameras in our pockets and iMovie made video editing accessible to nearly anyone, a peak behind the scenes of how movies were made was fascinating. The Great Movie Ride was a marvelous celebration of cinema, with tie-ins from classic films of the distant and relatively recent past.

After college I didn't visit any Disney theme parks again until 2010. When I returned to what was now Disney's Hollywood Studios the world had changed and the park was a shell of its former self. Movie and television production had long ceased in the park, the Backlot Tour had been gutted, there wasn't any animation production to tour (and even if there were, watching someone animate on their computer wasn't going to be nearly as compelling as seeing the process of hand-drawn animation), and the Great Movie Ride had lost its luster. I rode Great Movie Ride pretty regularly during my first few forays into the second generation of the Studios theme park, totally ten times in recent years. I rode the attraction on my last trip, in May of this year, but prior to that it had been more than two years since I last made time to see the attraction, skipping the ride nine consecutive trips. To be fair, I've found myself spending a lot less time in the Studios while most of the park's attractions have closed while the park metamorphosizes into Disney's attempt to recycle Universal's old "Ride the Movies" slogan. However, during the same time I've made a point to see Muppet*Vision 3D nearly twice as often  (19 times) as my ten Great Movie Rides, while riding Star Tours more than three times as often (36).

I loved what the Great Movie Ride once was, but over time the attraction lost much of its relevance and some scenes stopped being maintained. There were still considerable lines, sometimes stretching outside the Chinese Theater, but I think that was in part because there were so few other things to do in the Studios in recent years. I understand those who lament it's closing, as the attraction represented the last nail in the coffin of the original vision for the Disney-MGM Studios, but the truth is that original concept was long gone, and unlike EPCOT Center's original vision (which, I believe can be reinvigorated), a working studio in central Florida wasn't coming back. Given that I chose to abandon this attraction a couple years ago, I can't fault Disney for doing the same.







Maelstrom (8)

This is going back a couple years, but few attraction closure announcements generated quite the fury as did the closing on Maelstrom in Epcot's Norway pavilion. To be fair, a lot of the criticism was directed at the decision to theme its replacement to another popular target of Disney fans, the film Frozen. The name of that film seems to have a polarizing effect on many people, either eliciting joy or a reflexive need to express anger at something that became more popular than it may have deserved, with the latter being the expected response in most cases. I can make the argument that the characters from Frozen actually fit quite well with Epcot's intended purpose (I'm working on a more in-depth article addressing that topic), but for now let's focus on how popular the attraction Frozen Ever After actually replaced really was.

I actually rode Maelstrom pretty regularly up through September, 2014, my last visit to Epcot before the attraction sailed off forever, taking eight boat rides past bears, trolls, and oil rigs to learn what life is like in Norway. [NOTE: From 2010 through September, 2014 I rode 451 attractions across all four Disney World theme parks]. This lagged behind the number of times I visited Spaceship Earth (18), Test Track (14), Soarin (13), but was more often than I went on Living with the Land (7) or sat down to watch the American Adventure (3), so I didn't dislike Maelstrom, but I didn't really love it either.

Most of my visits were motivated by convenience and the lack of other moving attractions in World Showcase. The attraction itself was short, less than five minutes long, and there was just about never a line for Maelstrom in its final years. It was rare that I couldn't spare a few minutes to sit down in air conditioning and think back to when the Norway pavilion was new. I somehow managed to wait 11 minutes in line for the boat ride in March, 2012, getting in line at 12:45 PM and not finishing the ride until just after 1:00 PM, but after that I never again waited more than seven minutes for Maelstrom. Did any of those visits inspire me to consider visiting Norway or studying its history? No, it was a choice I made to pass the time in between snacks and drinks while touring World Showcase. In the short time since Frozen Ever After has been open I've already ridden that attraction nearly as many times (7) as I rode it's predecessor in recent years and have stepped off the boat with a smile on my face far more frequently than when I was walking away from Maelstrom.


Summing it Up

As I noted above, these numbers only reflect one person's choices (mine) about how often I chose to experience these attractions, but as I also noted I believe my choices were far more common than some of the loudest critics of these attraction closures would have you believe. There are reasons that I will miss having the chance to trigger memories of the era when these attractions were relevant and vibrant additions to Walt Disney World, but frankly, I won't miss that very much. Seeing as how I already drifted away from riding these attractions very often, it's hard to look back after the fact and argue the spaces they occupy couldn't be put to better use. In the case of Frozen Ever After, we can see that's already happened, so let's hope the same will be true for the new versions of the Energy pavilion and the centerpiece attraction of whatever Disney's Hollywood Studios will be named in the future.

Sunday, August 27, 2017

Transcript of Walt Disney's EPCOT Film

As Epcot gets ready to celebrate it's 35th Anniversary, let's look back to when we were first introduced to the city of EPCOT.

In October 1966, Walt Disney Productions prepared a film (with different endings for different audiences) to introduce citizens of Florida and potential business partners to the Disney World resort and the futuristic city it would include. The film features Walt Disney, appearing just two months before his death, sharing plans from a mock-up of the room where he and his Imagineers were planning the "Florida Project."

Below is the transcript from that film.

Prologue

NARRATOR
Welcome to Disneyland U.S.A.

This was all a Disney dream a dozen years ago, a far-off project that was totally unproved. Today, 60 million people have come here, from every state in America and from almost every nation around the world.

In Town Square on Main Street, manu have paused to read the dedication plaque that symbolizes the warm and friendly spirit of Walt Disney’s magic kingdom.

To all who come to this happy place, Welcome.
Disneyland is your land.
Here, age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideal, the dreams, and the hard facts that have created America, with the hope that it will be a source of joy and inspiration to all the world.

Disneyland grew out of Walt Disney’s own feeling that an amusement park should offer more to the entire family. Here was no mere amusement park. Here was a whole new concept in entertainment, where parents and children could have fun together.

The touchstone of Disneyland’s success has been its concern for people, a wholehearted dedication to the happiness of the people who visit here.

Today, Disneyland has established standards of performance unsurpassed in all of the world. Yet, in the planning and building there were no standards to follow. Whatever worked became the code. Whatever failed to meet the public need was changed, replaced by a better idea.

People and vehicles are constantly in motion at Disneyland. Here, people travel aboard almost every method of transportation man has ever designed. Provocative, new ideas, like the first monorail system in the western hemisphere, have demonstrated their potential in this practical proving ground. Disneyland vehicles have carried 340 million passengers in comfort and speed, and have traveled more than 19 million miles in unequalled safety.

To plan Disneyland, Walt Disney long ago established a design organization called WED Enterprises. Today, the staff at WED includes designers, architects, and engineers skilled in the Disney way, and also fine craftsmen and technicians skilled in the arts of the space age. What WED does is called Imagineering, a blending of creative imagination with technical know-how. The talents of WED have gone to work outside Disneyland, too.

At the New York World’s Fair, for of the most popular attractions were Disney shows and corporate exhibits that skillfully welcoming and entertained more than 150,000 people every day.

A tribute to the achievements of the Disney design staff has been paid by many highly respected planners and builders. Among them, James W. Rouse, developer of the new town of Columbia. In his keynote speech before the 1963 Urban Design Conference at Harvard University, Mr. Rouse said in part, “I hold a view that may be somewhat shocking to an audience as sophisticated as this, that the greatest piece of urban design in the United States today is Disneyland. If you think about Disneyland and think of its performance in relation to its purpose, its meaning to people, more than that its meaning to the process of development, you will find it the outstanding piece of urban design in the United States. It took an area of activity, the amusement park, and lifted it to a standard so high in its performance, in its respect for people, in its functioning for people that it really has become a brand new thing. It fulfills all the functions it set out to accomplish, unself-consciously, usefully, and profitably to its owners and developers. I find more to learn in the standards that have been set and in the goals that have been achieved in the development of Disneyland than in any other single piece of physical development in the country”

Yesterday, Disneyland, and the New York World’s Fair. Tomorrow, a project so vast it has already been called a whole new Disney world.

And now, here is Walt Disney.

Introduction

WALT DISNEY

Welcome to a little bit of Florida, here in California. This is where the early planning is taking place for our so-called Disney World project.

Now, the purpose of this film is to bring you up to date about some of the plans for Disney World, but before I go into any of the details I wanna say just a word about the site of our Florida Project.

Location

WALT DISNEY

As you can see on this map, we have a perfect location in Florida, almost in the very center of the state. In fact, we selected this site, because it’s so easy for tourists and Florida residents to get here by automobile. 

Now, in larger scale on this map, our Florida land is located partly in Orange County and Osceola County, between the cities of Orlando and Kissimmee, and the important thing is that the Disney World is located just a few miles from the crossing point of Interstate 4 and Sunshine State Parkway, Florida’s major highways, carrying motorists east and west and north and south to the center of the state.

Disney World


WALT DISNEY

The sketches and plans you will see today are simply a starting point, our first overall thinking about Disney World. Everything in this room may change time and time again as we move ahead, but the basic philosophy of what we’re planning for Disney World is going to remain very much as it is right now.

We know what our goals are. We know what we hope to accomplish, and believe me it’s the most exciting and challenging assignment we’ve ever tackled at Walt Disney Productions.

Today, I want to share with you some of our ideas for Disney World. Now, the prologue to this film told you some of the philosophy that made Disneyland in California what it is today. Of course, there will be another amusement theme park in Florida, similar to the one in California.

We are now developing a master plan that ecompasses the theme park and all the facilities around it that will serve the tourists, hotels, motels, and a variety of recreation activities. In fact, just this little area alone if five times the size of Disneyland in California.

But, as you can see on this master plan, the theme park and all the other tourist facilities fill just one small area of our enormous Florida Project. According to this scale, I am six miles tall. Now, that’s twelve miles from here up to here and the whole area emcompasses 27,400 acres, that is 43 square miles, twice the size of the island of Manhattan.

Now, the area we propose to develop is between the Reedy Creek Swamp and the Bonnet Creek Swamp.

So, one thing we don’t need is a fence to protect us from trespassers

Here in Florida, we have something special we never enjoyed at Disneyland, the blessing of size. There’s enough land here to hold all of the ideas and plans we could possibly imagine.

Right now, our plans include an airport of the, future down here in Osceola County, an entrance complex where all visitors will enter Disney World, an industrial park area covering about 1,000 acres, and, of course, the theme park area, way up here. And all these varied activities around the Disney World will be tied together by a high speed rapid transit system running almost the full length of the property.

EPCOT

WALT DISNEY

But, the most exciting and, by far, the most important part of our Florida Project, in fact, the heart of everything we’ll be doing in Disney World, will be our Experimental Prototype City of Tomorrow. We call it EPCOT, spelled E-P-C-O-T, Experiment, Prototype, Community, Of, Tomorrow. Here it is, in larger scale.

EPCOT will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing, and testing, and demonstrating new materials and new systems. And, Epcot will always be a showcase to the world for the ingenuity and imagination of American free enterprise.

I don’t believe that there’s a challenge anywhere in the world that’s more important to people everywhere than finding solutions to the problems of our cities, but where do we begin? How do we start answering this great challenge? Well, we’re convinced we must start with the public need. And, the need is not just for curing the old ills of old cities. We think the need is for starting from scratch on virgin land, and building a special kind of new community. So, that’s what Epcot is, an experimental prototype community that will always be in a state of becoming. It will never cease to be a living blueprint of the future, where people actually live a life they can’t find anywhere else in the world.

Everything in EPCOT will be dedicated to the happiness of the people who will live, work, and play here, and those who come here from all around the world to visit our living showcase. We don’t presume to know all the answers. In fact, we’re counting on the cooperation of American industry to provide their very best thinking during the planning and the creation of our Experimental Prototype Community of Tomorrow. And, most important of all, when EPCOT has become a reality and we find the need for technologies that don’t even exist today, it’s our hope that EPCOT will stimulate American industry to develop new solutions that will meet the needs of people expressed right here in this experimental community.

Well, that’s our basic philosophy for EPCOT.

By now, I’m sure you’re wondering how people will actually live, and work, and move around in our community of tomorrow. So, in the next few minutes we’ll go into detail about some of our preliminary sketches and layouts. Remember, though, as I said earlier, this is just the beginning, and with that thought in mind, let’s have a look.

NARRATOR

No city of today will serve as the guide for the city of tomorrow

EPCOT will be a planned environment, demonstrating to the world what American communities can accomplish, through proper control of planning and design.

EPCOT begins with an idea new among cities built since the birth of the automobile. We call it the radial plan

Picture a wheel. Like the spokes of the wheel, the city fans out along a series of radials from a bustling hub at the center of EPCOT.

A network of transportation systems radiate from the central hub, carrying people to and from the heart of the city. These transportation systems circulate to and through four primary spheres of activity surrounding the central core.


First, the area of business and commerce.

Next, the high-density apartment housing.

Then, the broad greenbelt and recreation lands.

And, finally, the low-density, neighborhood residential streets


EPCOT’s dynamic urban center will offer the excitement and variety of activities found only in metropolitan cities - cultural, social, business, and entertainment.

Among its major features will be a cosmopolitan hotel and convention center, towering 30 or more stories, shopping areas, where stores and whole streets recreate the character and adventure of places round the world, theaters for dramatic and musical production, restaurants and a variety of nightlife attractions, and a wide range of office buildings, some containing services required by EPCOT’s residents, but most of them designed especially to suit the local needs of major corporations.

But, most important, this entire 50 acres of city streets and buildings will be completely enclosed. In this climate controlled environment shoppers and theater go-ers and people just out for a stroll will enjoy ideal weather conditions, protected day and night from rain, heat, and cold, and humidity.

Here, the pedestrian will be king, free to walk and browse without fear of motorized vehicles. Only electric powered vehicles will travel above the streets of EPCOT’s central city.

This towering hotel is the visual center of EPCOT, the shining jewel at the center of the city. It will offer tourists and vacationers not only the most modern guestrooms and convention facilities, but also a seven-acre recreation deck, located high above the pedestrian and shopping areas of the city.

But, hidden from view, directly beneath the hotel is another kind of vital center, EPCOT’s Transportation Lobby. Although, out of sight to hotel guests, this transportation terminal will play a key role in the city of tomorrow’s ability to meet the needs of both visitor and resident.

Two separate, but interconnecting transit systems will move people into and out of EPCOT in speed, safety, and comfort through this central terminal. Both are electrically powered - the high speed monorail, for rapid transit over longer distances, and a concept new to the American city for shorter travel distances, the WEDWAY PeopleMover.

Automobiles and trucks will not be barred from EPCOT. In fact, a vast armada of vehicles will continually move through the heart of the community, traveling below the pedestrian level on roadways reserved for specific types of vehicles.


Let’s look at another view of EPCOT’s transportation hub, and see how traffic flows the heart of the city on three separate levels. At the bottom of the stack is the truck route, reserved for supply vehicles. Trucks will have easy access to all loading docks and service elevators, for the delivery of commercial goods. The middle level is the automobile thruway, exclusively for cars. Adjacent to the roadway are parking areas, for the convenience of hotel guests. For the motorist just driving through, no stoplight will ever slow the constant flow of traffic through the center of EPCOT.

But, automobiles and freeways will not be EPCOT’s major way of entering and leaving the city. The transportation heartbeat of EPCOT will be the two electric powered systems, monorail and WEDWAY, that radiate to and from the transportation lobby. And, the key system in this coordinated network will be the WEDWAY PeopleMover.

[VIDEO - PeopleMover in Disneyland]

The first PeopleMover installation is already in daily operation at Disneyland. On peak days it carries nearly 40,000 passengers. The cars you see here are approximately ⅝ scale, considerably smaller than full-sized passenger cars would be for city use. EPCOT’s PeopleMover is a silent all-electric system that never stops running.

These cars continue to move, even while passengers are disembarking or stepping aboard.

Power is supplied from a series of motors embedded in the track, completely independent of the cars. No single car can ever break down and cause a rush hour traffic jam in EPCOT. Because the cars run continuously, there will be no waiting in stations for a WEDWAY PeopleMover. The next car is always ready.

Now, let’s go back to the Transportation Lobby and see how the WEDWAY will travel along one radial between the center of EPCOT and a typical residential area.

Leaving the Transportation Lobby, the WEDWAY trains travel above the downtown streets. Within minutes, the WEDWAY passes through the first station. Many people who work in the offices and stores of EPCOT’s city center board the WEDWAY here for their trip home. Some people leave the WEDWAY here, too. They live in EPCOT’s high-density apartments, surrounding the metropolitan center.

Most passengers who ride the WEDWAY live beyond the apartments and stay aboard the PeopleMover as it crosses EPCOT’s sheltering greenbelt. EPCOT’s greenbelt is more than just a broad expanse of beautiful lawns and walks and trees. Here, too, are the community’s varied recreational facilities, its playgrounds for children, its churches, and its schools.

Beyond the greenbelt are EPCOT’s neighborhood areas, of single-family homes. This is one radial neighborhood. Here, and throughout the community, residents returning from work or shopping will disembark from the WEDWAY at stations located conveniently just a few steps from where they live. The homes are located in a wide green area that provides light recreation activities for adults and play areas for children. Circulating through this area are footpaths, reserved for pedestrians, electric carts, and bicycles. Children, going to and from schools and playgrounds, will use these paths, always completely safe and separated from the automobile.

The resident leaving home in his automobile will drive down a street reserved for motor vehicles. He then enters a one-way road the circles the city center. This road carries the motorist onto the main throughway, connecting EPCOT with other points in Disney World and with Florida’s nearby network of major highways.

But, most EPCOT residents will drive their automobiles only on weekend pleasure trips. From all over the community, residents going to their jobs converge by WEDWAY on the center city. Many work downtown, in offices, stores, and shops, but most employees go beyond the city core to their jobs. From the Transportation Lobby, monorail trains carry employees either to the theme park or to EPCOT’s 1,000 acre industrial park.

At this central station in the industrial complex, passengers disembark from the monorail and again board WEDWAY cars that radiate to each facility. This industrial complex will provide employment for many people, who live in EPCOT, but it will mean much more, not only for this community, but also for American industry.

Here, the Disney staff will work with individual companies to create a showcase of industry at work.

In attractive parklike settings, the six million people who visit Disney World each year will look behind the scenes at experimental prototype plants, research and development laboratories, and computer centers for major corporations.


So, this is EPCOT, the heart of Disney World. In other parts of the country, a community the size of this prototype could become part of an entire city complex, composed of many such communities, planned and built a few miles apart. In Disney World, about 20,000 people will actually live in EPCOT. Their homes will be built in ways that permit ease of change, so that new products may continuously be demonstrated. Their schools will welcome new ideas, so that everyone who grows up in EPCOT will have skills in pace with today’s world.

EPCOT will be a working community, with employment for all, and everyone who lives here will have a responsibility to help keep this community an exciting, living blueprint of the future.

And now, here again, is Walt Disney.

Conclusion

WALT DISNEY

That’s the starting point for our Experimental Prototype Community of Tomorrow. And, now, where do we go from these preliminary plans and sketches? Well, a project like this is so vast in scope that no one company alone can make it a reality, but if we can bring together the technical know-how of American industry and the creative imagination of the Disney organization, I’m confident we can create right here in Disney World a showcase to the world of the American free enterprise system.

I believe we can build a community that more people will talk about and come to look at than any other area in the world. And, with your cooperation I’m sure this Experimental Prototype Community of Tomorrow can influence the future of city living for generations to come. It’s an exciting challenge. A one in a lifetime opportunity for everyone who participates. Speaking for myself and the entire Disney organization, we’re ready to go right now.